Featuring more than 200 intriguing images taken by space probes travelling billions of kilometres from Earth, The Solar System is an exhilarating exploration of the mysteries of our local planetary space. Within the span of a human lifetime, our spacecraft have visited all eight planets of the Solar System, together with several dwarf planets, asteroids and comets. We have mapped the surface of Mercury and Venus in exquisite detail, landed rovers on Mars, placed orbiters around Jupiter and Saturn, and parachuted to the surface of Titan. Our emissaries have visited icy worlds five billion kilometres from home and continued onwards to reach interstellar space. The pictures and science returned by these intrepid travellers have transformed our understanding of the Solar System in which we live.

Travelling from the edge of our Solar System, through the Milky Way and to the outer edges of the observable universe, Deep Space is a spectacular photographic guide to galaxies, nebulae, supernova, clusters, black holes and quasars. Learn about the birth of stars in our own galaxy, planets beyond our own solar system, when they were first discovered and how we have managed to photograph these places. Ranging from the Magellanic Clouds within the Milky Way to stellar life cycles, from other spiral galaxies such as the Andromeda Galaxy, to the Sombrero Galaxy, and from nebulae such as the Pillars of Creation to black and white dwarfs, this is accessibly written for the general reader to grasp the science and magnitude of deep space. Featuring 200 outstanding colour photographs and expert captions, Deep Space is most certainly out of this world.

Abolitionist Leadership in Schools offers school and district leaders rich insights and approaches for recreating, restructuring, and reorienting their service to students, families, staff, and communities in crisis. Though often associated with sudden, large-scale disruptions, crises are ongoing matters-particularly among systemically-oppressed people-that underscore the planning voids, resource inequities, marginalizing policies, and strategic lapses of any teaching and learning community while perpetuating students' social-emotional, psychological, and pedagogical traumas. This expansive book guides school leaders to provide pre-emptive, premeditated, and progressive leadership while countering the impacts of racism that endure in our schools. Working from an abolitionist lineage, author Robert S. Harvey's radically humane vision explores lessons from our collective national past, provides strategic planning with creativities and contingencies, and fosters liberatory decision-making through accountability, communication, and more.

Explore and discover the most beautiful places in Wiltshire. Visit and photograph the ancient and mysterious sites of Stonehenge, Avebury and Silbury Hill; the great houses and gardens at Longleat, Bowood, Wilton, Stourhead; villages and churches; Georgian Bradford-on-Avon and the chalk White Horses and the Fovant Badges etched into the hillsides. You will enjoy photographs of the strip lynchets along the downs where sheep have grazed for centuries; the big open farmland, the Ridgeway, the chalk streams; Salisbury Plain and Salisbury Cathedral. With over 500 colour photographs, Photographing Wiltshire is the definitive visitor and photo-location guidebook to photographing this fascinating county. Introductory sections explain the story of Wiltshire's varied landscape, exceptional cultural heritage and diverse wildlife. It will appeal to Wiltshire residents, outdoor enthusiasts, photographers and anyone who loves Wiltshire and would like to understand it better.

In this, one of the last published books planned by one of the major cultural philosophers of our time, Lyotard addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result, more than a sequel to Lyotard's acclaimed biography "Signe Malraux," tells us as much about Lyotard and his critical concerns as it does about Malraux. It gives us Lyotard's final thoughts on his long study of the critical, disruptive possibilities of art and of the relation between aesthetics and politics. At first glance, Lyotard's sympathetic and generous analysis of Malraux might be surprising to some, for Malraux's metaphysics of art seems far removed from, if not diametrically opposed to, Lyotard's postmodern, experimental approach. But this is perhaps the book's greatest achievement, for Lyotard succeeds both in giving a compelling critical reading of Malraux (and through him of an entire era of art criticism) and in presenting, complicating, and developing his own position on art and aesthetics.
In order to present Lyotard's exquisitely compact style in the best possible way, the original French text appears on facing pages with the English translation.

Abolitionist Leadership in Schools offers school and district leaders rich insights and approaches for recreating, restructuring, and reorienting their service to students, families, staff, and communities in crisis. Though often associated with sudden, large-scale disruptions, crises are ongoing matters-particularly among systemically-oppressed people-that underscore the planning voids, resource inequities, marginalizing policies, and strategic lapses of any teaching and learning community while perpetuating students' social-emotional, psychological, and pedagogical traumas. This expansive book guides school leaders to provide pre-emptive, premeditated, and progressive leadership while countering the impacts of racism that endure in our schools. Working from an abolitionist lineage, author Robert S. Harvey's radically humane vision explores lessons from our collective national past, provides strategic planning with creativities and contingencies, and fosters liberatory decision-making through accountability, communication, and more.

by the question in its being an answer, if only in a circumstantial (i. e. inessential) manner. One indeed must question oneself in order to remember, says Plato, but the dialectic, which would be scientific, must be something else even if it remains a play of question and answer. This contradiction did not escape Aristotle: he split the scientific from the dialectic and logic from argumentation whose respective theories he was led to conceive in order to clearly define their boundaries and specificities. As for Plato, he found in the famous theory of Ideas what he sought in order to justify knowledge as that which is supposed to hold its truth only from itself. What do Ideas mean within the framework of our approach? In what consists the passage from rhetoric to ontology which leads to the denaturation of argumentation? When Socrates asked, for example, "What is virtue?," he thought one could not answer such a question because the answer refers to a single proposition, a single truth, whereas the formulation of the question itself does not indicate this unicity. For any answer, another can be given and thus continuously, if necessary, until eventually one will come across an incompatibility. Now, to a question as to what X, Y, or Z is, one can answer in many ways and nothing in the question itself prohibits multiplicity. Virtue is courage, is justice, and so on.

In this, one of the last published books planned by one of the major cultural philosophers of our time, Lyotard addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result, more than a sequel to Lyotard's acclaimed biography "Signe Malraux," tells us as much about Lyotard and his critical concerns as it does about Malraux. It gives us Lyotard's final thoughts on his long study of the critical, disruptive possibilities of art and of the relation between aesthetics and politics. At first glance, Lyotard's sympathetic and generous analysis of Malraux might be surprising to some, for Malraux's metaphysics of art seems far removed from, if not diametrically opposed to, Lyotard's postmodern, experimental approach. But this is perhaps the book's greatest achievement, for Lyotard succeeds both in giving a compelling critical reading of Malraux (and through him of an entire era of art criticism) and in presenting, complicating, and developing his own position on art and aesthetics.
In order to present Lyotard's exquisitely compact style in the best possible way, the original French text appears on facing pages with the English translation.

'Nobody knows how to write'. Thus opens this carefully nuanced and accessible collection of essays by one of the most important writer-philosophers of the 20th century, Jean-Francois Lyotard (1924-1998). First published in French in 1991 as Lectures d'enfance, these essays have never been printed as a collection in English. In them, Lyotard investigates his idea of infantia, or the infancy of thought that resists all forms of development, either human or technological. Each essay responds to works by writers and thinkers who are central to cultural modernism, such as James Joyce, Franz Kafka, Hannah Arendt, Jean-Paul Sartre, and Sigmund Freud. This volume - with a new introduction and afterword by Robert Harvey and Kiff Bamford - contextualises Lyotard's thought and demonstrates his continued relevance today.

by the question in its being an answer, if only in a circumstantial (i. e. inessential) manner. One indeed must question oneself in order to remember, says Plato, but the dialectic, which would be scientific, must be something else even if it remains a play of question and answer. This contradiction did not escape Aristotle: he split the scientific from the dialectic and logic from argumentation whose respective theories he was led to conceive in order to clearly define their boundaries and specificities. As for Plato, he found in the famous theory of Ideas what he sought in order to justify knowledge as that which is supposed to hold its truth only from itself. What do Ideas mean within the framework of our approach? In what consists the passage from rhetoric to ontology which leads to the denaturation of argumentation? When Socrates asked, for example, "What is virtue?," he thought one could not answer such a question because the answer refers to a single proposition, a single truth, whereas the formulation of the question itself does not indicate this unicity. For any answer, another can be given and thus continuously, if necessary, until eventually one will come across an incompatibility. Now, to a question as to what X, Y, or Z is, one can answer in many ways and nothing in the question itself prohibits multiplicity. Virtue is courage, is justice, and so on.

In an age of backroom generals who command from far behind troop lines, it is often forgotten that wars have been won or lost by the personality and leadership of a maverick commander. In twelve riveting portrait, best-selling historian, Robert Harvey, explores the mind and the action of such men. From the the Mediterranean sea Harvey investigates what make a military commander different - a charismatic leader of men, rational under fire, unafraid to improvise or lead his men into victory against the odds. Packed with compelling and insightful analysis and story telling, Mavericks is Robert Harvey's best book to date. The Mavericks, what made them great and their key battles include: Clive of India - a master of the decisive strike, and going for the jugular. Plassey. James Wolfe - renowned by his troops for being as demanding on himself as on them. Quebec. George Washington - patience, then boldness. Yorktown. Horatio Nelson - flamboyance, careful planning and improvisation. Trafalgar. Thomas Cochrane - Fearless commando tactics and an eye for the unexpected strike. Aix Roads. The Duke of Wellington - style and soundbites, caution and planning. Salamanca. Guiseppe Garibaldi - charismatic communicator, bold in battle. Messina. Ulysses S. Grant - Cool and rational, with determination to overcome all obstacles. Vicksburg Erwin Rommel - Careful calculation followed by bold strikes. Desert Campaign. George Patton - Aggression coupled with skill in tanks and training.The Battle of the Bulge. Field Marshal Montgomery - A natural rebel with a lightning mind. El Alamein. Douglas MacArthur - brilliant communicator and bold, cared for his men. Inchon. PRAISE FOR WAR OF WARS 'This is the 'definitive' one-volume account of a particularly rich slab of history.' Daily Express. '...so well paced that reading it is a pleasure.' Bernard Cornwell. 'I doubt a better account of the never-ending war will be written in many a year.' Allan Mallinson. 'an exhillirating sequence of dramatic set-pieces in narrative history's best traditions.' Literary Review

This is the second of two new releases featuring Peter Davison as the Fifth Doctor and contains two adventures; Thin Time by Dan Abnett. Hallowe'en, 1892. Celebrated novelist Charles Crookshap claims to have been receiving time communiques, promising secrets that could change the world forever. But when the TARDIS interrupts the household's evening, the Doctor realises he isn't the only alien interloper in London. Madquake by Guy Adams. Abandoned on the planet Callanna, Nyssa, Tegan and Marc take advantage of its therapeutic atmosphere to come to terms with recent events; but others seek to take advantage too. The Slitheen are on their way - and they're ready to sell this world to the highest bidder! CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), Dona Croll (Bella), Raj Ghatak (Mison), Kate Isitt (Cott), Zaqi Ismail (John Hobshaw), Nicholas Khan (Stubbs), Luyanda Unati LewisNyawo (Mrs Polly), Wilf Scolding (Charles Crookshap), Harley Viveash (Grumma). Other parts played by members of the cast.

Two new adventures bringing back one of the Doctor's most `popular' foes - the Cybermen! Warzone - At Warzone, competitors gather from across the galaxy to test the limits of their endurance and achieve their personal best. So,when the TARDIS materialises in the middle of a racetrack, the Doctor and his friends must literally run for their lives. Conversion - On the fringes of the galaxy, techno-pirates and research medics fight for the secrets of advanced extra-terrestrial technology. For the Doctor, however, a more personal battle awaits as he confronts his own guilt and the creatures that killed a friend: the Cybermen. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), David Banks (The Cyber Leader), Timothy Blore (Morris), Angela Bruce (Herb), Silas Carson (Commentator), Mark Hardy (Cyber Lieutenant), Pepter Lunkuse (Esma), Liz Sutherland-Lim (Creasey). Other parts played by members of the cast.

63BC. Following the overthrow of Catiline, Cicero and his wife retire to the coastal town of Cumae, safe from the threats of Rome. But when a stranger and his companions arrive at Cicero’s villa, new dangers lie in wait and Cicero finds himself plunged into a realm of gods and monsters. His only hope of returning home lies with a man known as the Doctor. But can Cicero trust him? CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), Samuel Barnett (Cicero), Laura Riseborough (Terentia), George Watkins (Marc), Joe Shire (Septus), Tracy-Ann Oberman (Tartarus). Other parts played by members of the cast.

In the Galactic Census, idyllic Strellin is recorded as a Grade Three planet - its inhabitants possessing neither advanced technology, nor knowledge of other worlds. Accordingly, Strellin is protected: landings by off-worlders are strictly prohibited. Unless, of course, those off-worlders are officials of the Galactic Census itself, come to investigate the origin of a mysterious sub-space signal - a signal no native of Strellin should be able to send. Breaking all local by-laws, the time-travelling Doctor and his companion L/Wren Mrs Constance Clarke (AWOL) have only just landed on Strellin, too. But they and the Census officials aren't the only off-worlders to have come here. Inside a nearby monastery, the monks of the reclusive Brotherhood of the Black Petal are guarding a strange and terrible secret. Something might bring disaster not just to Strellin, but to every civilised world in the galaxy! Colin Baker's Doctor has proved hugely popular to fans of the Big Finish Doctor Who releases, with his television adventures continued across a range of stories with both old and new companions.Director Jamie Anderson is the son of Gerry Anderson, the producer behind such shows as Thunderbirds, UFO, Captain Scarlet and Terrahawks. His work influenced generations, and Jamie inheriting this storytelling gene! Scriptwriter Mike Tucker has not only written Doctor Who novels, and other audio adventures, but carried out model work on both the classic and new series of Doctor Who!The Doctor's companion in this story - Mrs Constance Clark - is played by Miranda Raison, star of TV's Spooks. CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Nicholas Briggs (Tanapal), John Savident (Pendle), Olivia Hallinan (Asta), Robbie Stevens (Boswyck/Raspak), Sam Fletcher (Rosco/Gabber), Joseph Kloska (Habrild).